Auguste Macke
Auguste Macke (1887-1914) was a German painter and a prominent member of the early 20th-century expressionist group Der Blaue Reiter (The Blue Rider). Influenced by Impressionism, Fauvism, and Cubism, Macke developed a style characterized by bright, pure color and simplified forms. His subjects, often scenes of daily life, conveyed a joyous, harmonious view of the world, as seen in works like “Turkish Café”. Macke’s promising career was cut short by his early death in World War I, but his impact on German Expressionism remains significant.
Margaret Macdonald Mackintosh
Margaret Macdonald Mackintosh (1864–1933) was a Scottish artist associated with the Glasgow School and known for her innovative blend of Symbolism, Art Nouveau, and the Celtic Revival. Her style, characterized by its delicate linear forms, symbolic imagery, and intricate decorative elements, was applied across a range of media, including watercolors, textiles, and gesso panels. Her works, such as “The White Rose and the Red Rose,” are marked by a distinct aesthetic and lyrical sensibility. Despite being overshadowed by her husband, architect and designer Charles Rennie Mackintosh, her contribution to the development of the “Glasgow Style” is now widely recognized and celebrated.
René Magritte
René Magritte (1898-1967) was a Belgian surrealist artist known for his thought-provoking images that challenge observers’ preconditioned perceptions of reality. Combining everyday objects in unexpected ways, Magritte’s work played with the idea of the familiar made strange. His style, characterized by a realistic, detailed depiction of fantastical scenes, is seen in iconic paintings like “The Son of Man” and “The Treachery of Images.” Magritte’s influential work continues to inspire artists and theorists in the realms of both popular and conceptual art.
Kazimir Malevich
Kazimir Malevich (1879-1935) was a pioneering Russian painter and art theoretician, credited as the founder of the Suprematist movement. His work marked a departure from the objective world, focusing instead on basic geometric forms, such as circles, squares, and rectangles. Malevich’s groundbreaking painting “Black Square” is often regarded as one of the seminal works of abstract art. His theoretical writings, particularly “The Non-Objective World,” have been profoundly influential in the development of Constructivism, Abstract Expressionism, and Minimalism.
Keith Mallett
Keith Mallett (born 1948) is an American artist known for his Afro-centric works that celebrate the African American experience and heritage. Mallett’s style, characterized by its vibrant colors, strong forms, and evocative themes, spans a range of genres including portraiture, still life, and abstract painting. His works, such as “Spirit of Freedom,” often explore themes of family, community, and cultural legacy. Mallett continues to create and exhibit his work, contributing to the visual celebration and affirmation of African American culture and history.
Edouard Manet
Édouard Manet (1832-1883) was a crucial figure in the transition from Realism to Impressionism in French painting. Known for his bold technique and innovative subject matter, Manet’s work challenged the artistic conventions of his time. His style, characterized by loose brushwork and a modernist approach to composition, foregrounded the artifice of painting. Iconic works such as “Olympia” and “The Luncheon on the Grass” caused public scandal, but also signalled a new direction in modern art. Manet’s influence on the Impressionist movement and subsequent art trends was profound.
Jeremy Mann
Jeremy Mann (born 1979) is an American contemporary artist celebrated for his evocative cityscapes and figure paintings. Mann’s style, characterized by its bold brushwork, atmospheric mood, and deep, muted color palettes, captures the dynamic energy and fleeting tranquility of urban landscapes. His works, such as “The City Breathes,” often convey a sense of mystery and solitude amidst the city’s bustling activity. Mann continues to paint and exhibit his work, his distinctive fusion of realism and expressionism captivating audiences worldwide.
Andrea Mantegna
Andrea Mantegna (circa 1431-1506) was an Italian painter, a student of Roman archeology, and a leading figure of the Italian Renaissance. Known for his skill in linear perspective and foreshortening, Mantegna’s style is characterized by detailed, sculptural forms and a distinctly archaeological approach to classical themes. His notable works, such as the “Lamentation over the Dead Christ” and the “Camera degli Sposi” frescoes, display his mastery of perspective and his innovative approach to composition. Mantegna’s influence was far-reaching in the development of Italian Renaissance art.
Ivan Marchuk
Ivan Marchuk (born 1936) is a Ukrainian contemporary artist recognized for his unique style, which he refers to as “plontanism.” Marchuk’s style, characterized by its intricate detail, vibrant colors, and organic forms, often blurs the boundaries between realism and abstraction. His works, such as “Golden Field,” showcase a delicate network of lines that create intricate patterns and images. Despite facing professional obstacles during the Soviet era, Marchuk has continued to create and exhibit his work. His distinctive visual language, inspired by the natural world and Ukrainian folk art, has earned him international recognition and acclaim.
Albert Marquet
Albert Marquet (1875–1947) was a French painter associated with the Fauvist movement. Marquet’s style, characterized by its simplified forms, restrained color palette, and loose brushwork, often captured the transient effects of light on water in various seascapes and cityscapes. His works, such as “The Port of Marseilles,” reflect his fascination with changing atmospheric conditions and their effect on the landscape. Despite later moving towards a more naturalistic style, Marquet’s contribution to Fauvism and his unique approach to depicting light and space have cemented his place in early 20th-century art.
Agnes Martin
Agnes Martin (1912–2004) was a Canadian-born American abstract painter, often associated with minimalist art. Martin’s style, characterized by its grid structures, subtle color palettes, and emphasis on line and form, sought to convey universal emotional states and the transcendent qualities of beauty and perfection. Her works, such as “White Stone,” often invoke meditative states, conveying her interest in Eastern philosophy. Despite her reclusive lifestyle, Martin’s exploration of abstraction and her dedication to the pursuit of universal truths have cemented her legacy as a significant figure in the realm of 20th-century art.
Simone Martini
Simone Martini (circa 1284-1344) was an Italian painter and a major figure in the development of early Italian painting and the International Gothic style. Martini’s work, characterized by elegance, refined lines, and the use of intricate detail, brought a new level of emotional expressiveness to traditional religious subjects. His notable works, such as “The Annunciation with St. Margaret and St. Ansanus,” display a sensitivity to color and a sophistication of composition. Martini’s style had a profound influence on the Sienese School of painting and beyond.
Tommaso Masaccio
Tommaso Masaccio (1401-1428), known simply as Masaccio, was a pivotal Italian painter of the early Renaissance. Celebrated for his innovative use of perspective, light, and shadow, Masaccio’s work marked a significant departure from the stylized Byzantine art that dominated his time. His frescoes, notably those in the Brancacci Chapel in Florence, are recognized for their naturalism and emotional intensity. Despite his short life, Masaccio’s groundbreaking techniques had a profound influence on the course of Italian painting, shaping the works of future masters like Leonardo da Vinci and Michelangelo.
Ilya Mashkov
Ilya Mashkov (1881–1944) was a Russian avant-garde artist and one of the significant figures of the Jack of Diamonds group, which sought to integrate elements of folk art into modernist painting. Mashkov’s style, characterized by its vibrant color palette, bold brushwork, and the incorporation of Russian folk motifs, blended elements of Post-Impressionism and Fauvism. His works, such as “Still Life with a Buddha,” often feature dynamic still lifes and landscapes that reflect his interest in exploring color and form. Despite shifting trends in the art world, Mashkov’s contribution to the development of Russian modernism has secured his place in art history.
Henri Matisse
Henri Matisse (1869-1954) was a leading French artist of the 20th century, known for his use of color and his fluid, original draughtsmanship. Initially labeled a Fauvist, Matisse’s style evolved over his long career, exploring diverse mediums, including painting, drawing, sculpture, and cut-outs. His works, such as “The Dance” and “Woman with a Hat,” are celebrated for their vibrant colors, decorative quality, and emotive power. Matisse, alongside Picasso, is considered one of the artists who best helped to define the revolutionary developments in visual arts throughout the opening decades of the twentieth century.
Vittorio Matteo Corcos
Vittorio Matteo Corcos (1859–1933) was an Italian painter known for his elegant and psychologically insightful portraits. Corcos’s style, characterized by its soft color palette, refined technique, and attention to detail, drew inspiration from the Italian Renaissance and French Impressionism. His works, such as “Dreams,” often feature women and convey a sense of tranquility and introspection. Despite changes in artistic trends, Corcos maintained his distinctive style throughout his career. His ability to capture the personality and mood of his subjects, combined with his masterful technique, have secured his reputation as one of Italy’s most noteworthy portraitists.
Alfred Henry Maurer
Alfred Henry Maurer (1868–1932) was an American modernist artist known for his bold, abstract portraits and still lifes. Initially starting as a traditionalist, Maurer’s style evolved after exposure to Fauvism in Paris, adopting its intense color and loose brushwork. His works, such as “Fauve Landscape with Rolling Hills,” demonstrate his innovative approach to composition and color. Despite personal struggles, Maurer’s bold experimentation placed him at the forefront of American modernism, and his ability to fuse European avant-garde aesthetics with American themes has solidified his standing in American art history.
Anton Mauve
Anton Mauve (1838–1888) was a Dutch realist painter who was a leading member of the Hague School. Mauve’s style, characterized by its subdued color palettes, meticulous detail, and atmospheric landscapes, often depicted rural life and the relationship between humans and nature. His works, such as “Morning Ride along the Beach,” show his mastery in capturing the play of light and shadow, reflecting a tranquility and sensitivity towards his subjects. Although less known internationally, Mauve’s influence on his contemporaries, including his cousin-in-law Vincent van Gogh, has had a significant impact on the development of Dutch landscape painting.
Gari Melchers
Gari Melchers (1860–1932) was an American artist known for his genre scenes and portraits. Melchers’ style, characterized by its realistic depiction, delicate color palette, and empathetic portrayal of everyday life, drew inspiration from the Old Masters and French Realism. His works, such as “The Sermon,” often feature domestic and rural scenes that capture the dignity and nobility of common people. Despite shifting artistic trends, Melchers maintained his dedication to naturalistic painting throughout his career. His ability to capture the universal human experience in his work has ensured his place in the annals of American art history.
Ed Mell
Ed Mell (born 1942) is an American contemporary artist celebrated for his modernist depictions of the Southwest landscape. Mell’s style, characterized by its geometric forms, dramatic perspectives, and vibrant color palettes, captures the grandeur and beauty of the desert. His works, such as “Monsoon Clouds,” portray iconic Southwest scenes, imbuing them with a modernist sensibility. Mell continues to create and exhibit his work, contributing to the tradition of American landscape painting with his unique, stylized interpretation of the Southwest.
Daniel Merriam
Daniel Merriam (born 1963) is an American contemporary surrealist artist known for his fantastical and dreamlike paintings. Merriam’s style, characterized by its delicate brushwork, intricate detail, and vibrant color palettes, creates a whimsical and often surreal world. His works, such as “Bubble Street,” often feature imaginative architecture, anthropomorphic animals, and elegantly dressed figures. Merriam continues to paint and exhibit his work, and his dreamlike imagery, combined with his technical virtuosity, has garnered him international recognition and acclaim.
William Merrit Chase
William Merritt Chase (1849–1916) was an American painter known for his mastery in various genres including landscapes, portraits, and still lifes. A prominent figure in the American Impressionist movement, Chase’s style was characterized by loose brushwork and a fascination with light and color. He founded the Chase School, which later became Parsons School of Design, and was instrumental in shaping a new generation of American artists. His works are celebrated for their elegance and technical prowess, contributing significantly to the artistic landscape of his time.
Anatoly Metlan
Anatoly Metlan (born 1964) is a Ukrainian-Israeli artist best known for his vibrant, impressionistic depictions of Mediterranean landscapes and scenes. Metlan’s style, characterized by its loose brushwork, rich colors, and emphasis on light, captures the energy and beauty of places like the French Riviera. His works, such as “Sunlit Harbor,” often feature bustling seaside towns and serene coastal vistas. Metlan continues to paint and exhibit his work, his evocative landscapes serving as a testament to the enchanting allure of the Mediterranean.
Jean Metzinger
Jean Metzinger (1883–1956) was a French painter, theorist, writer, and poet, considered one of the founders of the Cubist movement. Metzinger’s style, characterized by its geometric forms, multiple perspectives, and complex compositions, played a key role in the development of Cubism. His works, such as “Tea Time (Woman with a Teaspoon),” demonstrate his innovative approach to representing the fourth dimension in art. Despite shifting artistic trends, Metzinger’s contribution to Cubism and his exploration of the philosophical implications of modernism have established him as a central figure in 20th-century art.
Michelangelo Buonarroti
Michelangelo Buonarroti (1475-1564) was a towering figure of the Italian Renaissance, renowned for his contributions as a painter, sculptor, architect, and poet. Known for his technical mastery and creative brilliance, Michelangelo’s work is characterized by a breathtaking grandeur and an unprecedented emotional intensity. His iconic creations, including the frescoes of the Sistine Chapel, the marble statue of “David,” and the design of St. Peter’s Basilica in Rome, continue to be celebrated as some of the most influential works in Western art history. Michelangelo’s profound impact on the development of art extends to present day.
John Everett Millais
John Everett Millais (1829–1896) was an English painter and a founding member of the Pre-Raphaelite Brotherhood. Millais’s style, characterized by its vibrant color, intricate detail, and emotional intensity, often rebelled against the industrialization of Victorian England. His works, such as “Ophelia” and “The Boyhood of Raleigh,” are celebrated for their poetic and symbolic narratives. Despite later shifting to a broader style and subject matter, Millais’s early adherence to Pre-Raphaelite principles and his exploration of beauty, nature, and symbolism have earned him a significant place in the history of British art.
Joan Miro
Joan Miró (1893–1983) was a Spanish painter, sculptor, and ceramicist, associated with the Surrealist movement. Miró’s style, characterized by its symbolic language, abstract forms, and vibrant colors, often explored the realm of the subconscious. His works, such as “The Farm,” combined elements of Catalan folk art with contemporary artistic trends, creating a distinctive visual vocabulary. Despite his association with Surrealism, Miró maintained a level of autonomy in his practice, exploring various artistic expressions throughout his career. His innovative approach and creative versatility have made him one of the most influential artists of the 20th century.
Paula Modersohn-Becker
Paula Modersohn-Becker (1876–1907) was a German artist recognized as one of the pioneers of early Expressionism. Modersohn-Becker’s style, characterized by its bold simplification, stark contours, and a vibrant color palette, was remarkable for its daring exploration of female identity and form. Her works, such as “Self-Portrait on Her Sixth Wedding Anniversary,” often feature candid depictions of women and children in intimate, everyday settings. Despite her brief career, cut short by her death at age 31, Modersohn-Becker’s innovative approach and exploration of female subjectivity have secured her place as a significant figure in early 20th-century art.
Amedeo Modigliani
Amedeo Modigliani (1884-1920) was an Italian painter and sculptor, known for his modernist style and distinctive portrayal of the human figure. Working in Paris during the height of the avant-garde movement, Modigliani developed a unique aesthetic marked by elongated forms and mask-like faces, influenced by African art, ancient Greek sculpture, and his contemporaries. While his career was short-lived due to ill health and substance abuse, Modigliani’s iconic works, particularly his series of languid nudes and solemn portraits, left a lasting impact on 20th-century art.
Piet Mondrian
Piet Mondrian (1872-1944) was a Dutch painter and theoretician, recognized as a pioneer of abstract art. Originally influenced by the Dutch Impressionistic style, Mondrian’s work evolved toward geometric abstraction. His mature style, known as Neo-Plasticism, is characterized by a grid of black lines and primary colors. Mondrian’s iconic compositions, such as “Broadway Boogie Woogie” and “Composition II in Red, Blue, and Yellow,” seek a universal harmony through visual simplicity. His profound influence on the development of abstract art continues to resonate in contemporary artistic practices.
Claude Monet
Claude Monet (1840-1926) was a foundational figure of French Impressionism, known for his consistent and prolific practice of painting the transient effects of light and color in the natural landscape. Monet’s style, characterized by loose brushwork and innovative compositions, sought to capture the sensory effect of a scene over its literal details. His iconic works, including series of Water Lilies, Haystacks, and Rouen Cathedral, embody the principles of Impressionism. Monet’s innovative approach to painting had a significant influence on the course of 20th-century art.
Albert Joseph Moore
Albert Joseph Moore (1841–1893) was an English painter known for his depictions of languid female figures set against luxurious, classical backgrounds. Moore’s style, characterized by its aesthetic harmony, meticulous detail, and balance of color and form, was deeply associated with the Aesthetic Movement of the late 19th century. His works, such as “Dreamers,” often emphasize beauty and design over narrative. Despite contemporary criticism for his non-narrative approach, Moore’s dedication to aesthetic ideals and his influence on the decorative arts have secured his place as a significant figure in Victorian art.
Giorgio Morandi
Giorgio Morandi (1890–1964) was an Italian painter and printmaker known for his subtle and contemplative still lifes. Morandi’s style, characterized by its muted color palettes, restrained brushwork, and careful arrangement of simple objects, infused everyday items with a sense of tranquility and timeless beauty. His works, such as “Still Life,” often feature recurring motifs like bottles, vases, and bowls, rendered in his characteristic quiet and precise manner. Despite working in relative isolation from contemporary artistic trends, Morandi’s unique exploration of form, light, and color has established him as a significant figure in 20th-century art.
Berthe Morisot
Berthe Morisot (1841-1895) was a French painter and a member of the circle of artists in Paris known as the Impressionists. As one of the few women in the group, Morisot played a critical role in defining the movement’s innovative approach to painting. Her style, characterized by its loose brushwork, delicate color palette, and depiction of modern life, is evident in works such as “The Cradle” and “Summer’s Day.” Despite facing gender-based restrictions in her career, Morisot’s significant contributions to Impressionism have been increasingly recognized in art historical discourse.
Edvard Munch
Edvard Munch (1863-1944) was a Norwegian painter and printmaker, whose intense, evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century. Munch’s style, marked by its innovative symbolic content and bold use of color, is seen in his iconic work “The Scream,” a seminal piece of art synonymous with existential anxiety. His exploration of emotional and psychological states has had a profound influence on modern art.
Gabriele Munter
Gabriele Münter (1877–1962) was a German expressionist painter and a central figure of the Blue Rider (Der Blaue Reiter) group. Münter’s style, characterized by its bold color palette, simplified forms, and vigorous brushwork, epitomized the expressionist pursuit of representing inner emotional states. Her works, such as “Boating,” often depict landscapes and scenes of everyday life, infused with a strong sense of mood and atmosphere. Despite facing professional challenges as a woman artist in the early 20th century, Münter’s significant contribution to the development of Expressionism and her role in the Blue Rider movement have earned her a prominent place in art history.
Bartolome Esteban Murillo
Bartolomé Esteban Murillo (1617–1682) was a Spanish Baroque painter known for his religious works, genre scenes, and portraits. Murillo’s style, characterized by its soft color palette, warm tones, and tender representation of figures, added a distinctive charm to his subjects. His works, such as “The Immaculate Conception,” often depict holy figures and the common people of his native Seville with a profound sense of humanity and grace. Despite shifts in artistic taste, Murillo’s contribution to Spanish art, especially in defining the ‘Golden Age’ of Spanish painting, is well recognized.
Painters A, Painters B, Painters C, Painters D, Painters E, Painters F, Painters G, Painters H, Painters I, Painters J, Painters K, Painters L, Painters M, Painters N, Painters O, Painters P, Painters Q, Painters R, Painters S, Painters T, Painters U, Painters V, Painters W, Painters X, Painters Y, Painters Z
